Review: Meek Mill’s ‘Championships’ Is His Most Inspired Album Yet

The life of Meek Mill has been nothing short of an American epic. He grew up poor, raised by a single mother after his dad was shot and killed when he was 5-years-old. He emerged as a teenage rap sensation flowing on Philadelphia street corners (“I break bricks and throw shells like Mario”) and eventually grew into one of the country’s most charismatic rap stars – a self-made millionaire who fulfilled his wildest dreams. And yet he has never been able to cast off the lidless, Sauron-like gaze of the criminal justice system. He has been on probation since he caught weapons and drugs charges in 2007, and late last year, Judge Genece Brinkley, who has been assigned to his case since the very beginning, ruled that he violated probation by popping a wheelie on his dirt bike in upper Manhattan and sentenced him to two-to-four years in prison.

When the Pennsylvania Supreme Court overturned Meek’s sentence five months later in April 2018, he emerged from Graterford Correctional Facility with a burning desire to speak out against the ills of the justice system. He appeared on NBC Dateline, penned an op-ed in the New York Times, and announced a new foundation spearheaded by himself and 76ers owner Michael Rubin. In the lead-up to the release of his new full-length Championships, he eschewed conventional promotional tactics in favor of candid discussions of criminal justice reform on CNN, Ellen, and Beats 1. Though Meek insists he doesn’t consider himself an activist, he has positioned himself, at the very least, as an advocate.

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Review: ‘Evil Genius’ Is Gucci Mane on Autopilot

In the glorious pantheon of trap rappers, Gucci Mane’s dais is the largest. Since the mid 2000s, Guwop’s been peddling a very specific style of rap music – one for the hustlers, not the hustled. He wasn’t the first to rap about drugs, but he was first to package it within a very particular set of characteristics that would later be stretched out and commercialized. He seldom argues the fact that he’s the creator of rap’s biggest subculture – he lets T.I.Jeezy, and others have fun with that – and lets his enormous catalog play as something of an oral history of the genre. With more than 12 albums and 71 mixtapes, there’s not much more that Gucci Mane can show us to cement himself as one of the most influential artists in hip-hop culture. And that’s precisely the problem with Evil Genius; it’s familiar when everyone around him has taken steps to change the parameters of trap more than he ever has. Gucci Mane sounds comfortable, making this skippable.

Evil Genius is an album for settling in on a car ride and for making the lower end of curated playlists on DSPs. To that end, most of its 18-track runtime is dedicated to downtrodden trap anthems with lush elements like the ambience of “By Myself” or the stabs of piano on “Just Like It.” It nary reaches the oddity of modern trap that’s evolved away from the street corner anthems of Gucci’s heyday. In this respect, it creates something of a uniform sound. Gucci’s 808s have never been more prevalent, which is a plus. His drawling bass has been a constant, and a large reason his music bruised the speakers of Nissan Altimas in 2008 when the lyricism stagnated and never improved.

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10 Recording Artists to Watch in 2019

Just as there is always a slew of prestige albums to look forward to, every new year is guaranteed to present to the world a crop of fresh, invigorating talent to get to know. And 2019 is no exception; there is already a wealth of promising young new artists breaking out in their respective scenes. The challenge was not finding a crew of ones to watch, but in whittling down a list of a mere 10.

And yet, we persevered. The following group of 10 artists are ones we’ve slowly gotten to know over the past year, and we feel confident all of them are set to make 2019 the year in which they fully blossom. From A$AP Mob-affiliate Chynna to startlingly original MC JPEGMAFIA to one of 88 rising’s brightest stars Lexie Liu, these are the new artists that Highsnobiety has its eyes on this year.

Read full list here.

Jason Ivy Explains Unique Art Concept For Upcoming 'CØMPLIMENTS' EP

Born and raised in Chicago, Jason Ivy is a graduate of the University of Pennsylvania, with a degree in Cognitive Neuroscience and Linguistics. As a multitalented musician and recording artist, Jason combines his formal training with veteran vocal coach Dr. Lena McLin and his time in the Soul Children of Chicago (among other groups), with his love of music and its ability to tell a story, send a message, express feeling, and unite myriad people all at once. Mr. Ivy takes influence from the Hip Hop, Neo-Soul, Alt Rock, and “Lo-fi” music genres, to bring us a fresh perspective on music.

About the EP and Cover Art:

CØMPLIMENTS is the first EP project from new Neo Soul / R&B artist Jason Ivy. Each icon represents one of the six songs from the project. In order, they are: Hate (the spiteful message and angered posture of the astronaut), Foreign (the astronaut itself), Higher (the rocket), Chlorophyll (the sunflowers), Ivy (the ivy leaves), and Pyre (the woman with the burning heart).

The concept behind both the EP and the cover art is that these are all separate concepts that function as a whole, all mostly contained within this jar. Each of the songs addresses the state of the jar — being emotionally empty or filled — which doubles as a graphic metaphor for the state of the narrator’s own emotions.

The narrator is visibly angry as they take on a role outside of all of these events — a foreigner to their own emotions, and to a space where they should belong. A second catalyst for the narrator’s anger is that all of these songs have come to life and are escaping in a larger than life format, over which they have no control. In the end, it seems the narrator is along for the ride just as much as the audience is.

Featured Single

The single “Higher” was inspired by a late summer hangout with Jason Ivy and friends. It was the first time that all of them had gotten together, but it was so late in the season that it would likely also be the last time. Of course, among his friends happened to be a girl that he liked at the time, so Jason ran with the idea of unrealized love interests and coupled it with cool summer vibes. Those themes were transformed into a unique love song that examines the feelings of a confident young man at the start of a blossoming relationship.“Higher” features thoughtful, brooding lyrics with lines that cascade effortlessly from one to the next, and silky smooth vocals crooned over old school cool 80’s production.

CØMPLIMENTS (read: Empty Compliments)

Artist: Jason Ivy

Release Date: 2.09.19 | Pre-order Date: 2.01.19

Record Label: Amada Records

First Listen: Leyla McCalla, 'The Capitalist Blues'

The globalization of pop music has been under way for a while now, with the sounds and sensibilities of K-pop, reggaeton and myriad other Latinx styles serving as major sources of fuel. Still, much pop that's aimed at Anglo audiences tends to be stripped of meaningful cultural markers and metabolized as mildly exotic seasoning in accessible new hit-making conventions. The roots-music scene can display assimilationist tendencies, too, but it's also home to a small but growing number of artists — including Leyla McCalla and her sometime bandmate Rhiannon Giddens, Hurray for the Riff Raff's Alynda Segarra, Dom Flemons and Kaia Kater — who don't stand by and accept the whitewashing of culturally distinct origins. Instead, their work does the intellectual labor of clarifying; of reconnecting the dots, reconstructing context, retelling and sometimes personalizing neglected stories.

That needn't be anything close to a dry, academic exercise, as McCalla proves on The Capitalist Blues. The new album, her third, imaginatively maps her vision of the Afro-Caribbean diaspora and summons bodily, social and emotional wisdom through its dance music, gently taking Anglocentricism down a notch in the process. The Haitian-American singer-songwriter has said that moving to New Orleans nearly a decade ago helped her connect more viscerally to historical Haitian Creole resilience and musical expression. She's spent the years since primarily accompanying herself on cello — using it as a choppy, churning rhythm instrument rather than a lyrical one — in bilingual contemporary folk ballads and string-band compositions. This time, she laid her cello aside in favor of electric guitar and tenor banjo and enlisted an R&B-reviving veteran of the New Orleans club scene, Jimmy Horn of King James & the Special Men, to produce. A rotating cast of musicians — including specialists in the living traditions of various Haitian, Brazilian, Cajun, zydeco and calypso styles — supplies the feels and textures she wanted.

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A Song Called 'Quiet' Struck A Chord With Women. Two Years Later, It's Still Ringing

This story is part of American Anthem, a yearlong series on songs that rouse, unite, celebrate and call to action. Find more at NPR.org/Anthem.

Two years ago this week on the National Mall, amid a sea of pink hats, a piece of music suddenly went from speaking for one to speaking for many.

Months before the fall of Harvey Weinstein catapulted the #MeToo movement into the mainstream, a song called "Quiet" caught fire overnight, becoming a global anthem for victims of sexual harassment and abuse — almost as though women were waiting the words to help them share their collective rage: "I can't keep quiet for anyone anymore."

MILCK: Tiny Desk Concert

Connie Lim, who performs as MILCK, originally co-wrote "Quiet" in 2015. She says she always viewed it as her "personal therapy song," to help her cope with having been sexually assaulted and abused when she was a teenager. Then came the 2016 presidential election.

"The rhetoric that was used to describe women really enraged me, and just kind of brought me back to those feelings of when I was younger," Lim says. "I was told I needed to 'sit properly,' and I need to 'speak less' and 'smile more' and 'lose weight' and just be this perfect little girl."

Compelled to share "Quiet" with the world, she channeled her rage into an idea: Teach the song to other singers and perform it at the Women's March in Washington, D.C., the day after President Trump's inauguration.

Lim lives in Los Angeles, so about a month before the march she put out a call to female a cappella singers in D.C. Two groups responded: Capital Blend, a professional ensemble, and the GW Sirens, a college group. After lots of emailing and Skyping to learn the song and some-in person rehearsing the day before, they put on their winter coats and pink hats and headed to the march.

"We had no idea how crowded it was going to be," Lim says, laughing.

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R. Kelly Has Been Dropped By RCA Records, 'Billboard' Reports

According to a report by Billboard magazine on Friday afternoon, R. Kelly has been dropped by RCA Records. The move comes in the wake of a documentary series called Surviving R. Kelly that aired on Lifetime and cataloged more than 25 years of accusations of sexual and physical abuse made against Kelly by a number of women, including seven who were interviewed on camera.

The Allegations Against R. Kelly: An Abridged History

Kelly, who has long been one of the most prominent performers in R&B, continues to maintain his innocence, but in the weeks since the documentary began airing, protests – many affiliated with the social media hashtag #MuteRKelly — and calls for the label to sever ties with the singer have intensified. On Wednesday, protesters delivered a petition including more than 200,000 signatures asking for RCA and its parent company, Sony Music Entertainment, to drop the singer. While RCA and Sony have not confirmed to NPR that Kelly has been dropped, he was removed early Friday from the label's website.

Kelly's labels stood by him through previous public allegations, including a 2008 trial on charges of child pornography, after he was accused in 2002 of making a video of himself having sex with a girl who was aged 13 or 14 at the time. He was acquitted of all charges. Kelly was signed to Jive Records in 1991. That label was folded by Sony Music into RCA in 2011.

"This is a huge victory for the survivors who came forward, both in Surviving R. Kellyand before, and all young Black women, who are systematically undervalued in our society," said Arisha Hatch, the managing director of campaigns at Color for Change — one of the organizations that has been part of the #MuteRKelly campaign — in a statement released to the press. "This victory belongs to the survivors of his abuse — their brave testimonies played a critical role in pushing RCA to drop R. Kelly."

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An Egg Dethroned Kylie Jenner & Rihanna Filed Big Lawsuits in This Week’s Top Comments Roundup

We are well into the new year! And that means new comments have continued to flow in, bracketed by the same old savagery. So, to kick off 2019 right we present this year’s second comments roundup, full of everything you have come to love about our ever-sarcastic readership, and much more. We hope you will continue to take time away from your New Year’s resolutions to entertain us with your Dad-level puns, biting sarcasm, and for better or worse, poor humor. Without it, we might be at risk of taking this thing we deem to be our culture a little too seriously.

This week, Rihanna hit hard and filed a $75 Million lawsuit against her father, an egg dethroned Kylie Jenner as the queen of Instagram, and a forthcoming Nike Air Max 1 release might have you looking fly on the fairway, but its got our readers riled up for all the wrong, or right reasons… you decide. Next to this, Louis Vuitton dropped an insanely expensive pair of headphones, and Takashi Murakami proved to be one of the happiest men at Paris Fashion Week for another season running.

Be sure to keep your funny, interesting, and bizarre comments coming, and in the meantime, check out the aforementioned stories, as well as a few more below.

Please keep in mind these comments are meant to be taken as jokes and are only highlighted for the comedic effect they offer. Read Full Article

Princess Nokia accuses Ariana Grande of copying her on “7 Rings”

Last night, Ariana Grande continued her pop world takeover with “7 Rings”, a new song detailing a lavish, drunken trip to the jewelry store. Unfortunately for the singer, the flashy number has also drawn negative attention. New York-born rapper Princess Nokia has accused Grande of stealing the flow from her 2017 track “Mine”. In a since-deleted video posted to her social media, Princess Nokia listens and reacts to “7 Rings”. “Does that sound familiar to you? ‘Cause that sounds really familiar to me. Oh my god… ain’t that the little song I made about brown women and their hair? Hmm… sounds about white,” said the MC, who is of Puerto Rican descent.

The part Princess Nokia specifically points to involves Grande rapping, “You like my hair?/ Gee thanks, I just bought it.” On “Mine”, Princess Nokia repeats the phrase “It’s mine/ I bought it.” It doesn’t appear to be a direct lift by any means, but Nokia clearly hears a similarity between the songs. While the rapper doesn’t outright name the Sweetenersinger in her video, she did like a fan tweet that suggested Grande “literally flows, words, bars from Nokia.”

Perhaps ironically, “7 Rings” makes no secret about borrowing its verse structure from the Sound of Music classic “My Favorite Things”.

“Mine” is taken from Princess Nokia’s 1992 mixtape from 2017. Considering the multiple breakup references, and Grande flaunting an actual new ring post-Pete Davidson split, it’s more than likely “7 Rings” was written way after Princess Nokia’s tape.

Watch Princess Nokia’s accusatory video here, followed by some fan reaction tweets.

Thundercat, Kehlani & More Pay Tribute to Mac Miller on His Birthday

Mac Miller, who passed away four months ago of a tragic drug overdose, would have turned 27 on Saturday, January 19. The day proved to be an emotional day for fans, friends and associates of the late rapper with many paying their tributes on social media.

Thundercat, Rex Orange County and Kehlani were but a few of the names to share heartfelt messages. Mac’s ex Ariana Grande posted a tweet that simply read “miss u,” although it has since been deleted.

It was revealed two days ago that Mac’s parents would likely attend the Grammy’s in his honor after his final album, Swimming, received a Grammy nomination in the Best Rap Album category.

Mac, real name Malcolm McCormick, passed away on 7 September. His death was attributed to an accidental overdose of fentanyl, cocaine and alcohol.

Read some of the reactions here.

Playboi Carti Convicted of Punching Tour Bus Driver in the UK

Playboi Carti (Jordan Carter) has been convicted of assault and causing damages to a tour bus while in Scotland last February. The incident in question occurred during Carti’s European tour when the rapper allegedly entered into a dispute with his tour-bus driver regarding the quality of the bus, which was transporting his 14-person entourage between Glasgow and London, and was reportedly rented for about £30,000 ($38,650 USD) for his three-week tour.

According to reports, the driver failed to action Carti’s complaints. The BBC has reported that one of the drivers, Alistair MacLeish, 57, told the court he saw Carter punch the German driver of the original tour bus.” He said, “I saw things being thrown around the tour bus and then a man ran across and punched the driver on the face, cutting him and knocking his glasses off.”

According to reports, two of Playboi Carti’s tour managers claimed that he “acted in self-defense.”

Playboi Carti denied the assault against the driver but admitted causing damage to the vehicle. He was reportedly fined a total of £800 ($1,030 USD): £500 for assault and £300 for to the driver’s window.

Read more over at BBC.com. Source link

Why Ed Sheeran’s Appearance on a Hit Reggae Compilation Actually Makes Sense

We wrap musical genres around us as personal identifiers, like the plastic bracelets folded around newborns’ wrists. Their grooves become as familiar to us as our own heartbeat. So, to some steeped in the revolutionary associations of Jamaican music, hearing the one drop riddim blast out of regular old pop radio on a song like Ed Sheeran’s “Shape of You” meant betrayal; dancehall had been hijacked and given a bizarre transplant in order to sound like some new entity called “tropical house.”

Hence the shock of seeing the bespectacled singer-songwriter beaming amidst the inner circle of today’s Caribbean musicians—Damian and Stephen Marley, Wyclef JeanChronixxLee “Scratch” PerrySizzla, and more—on the cover of the 2017 anthology Tropical House Cruises to Jamaica. A conceptual compilation, it set out to remind listeners of the original identity of tropical house by pulling together the style’s forebears alongside those they had influenced, like Sheeran.

Whether despite or because of the pop star’s contributions, the disc became surprisingly successful, especially considering it was the first release on a new indie label, Contractor/Amada Records. The buzz led to its founder, a Jamaican marketer, producer, and entrepreneur named Sean “Contractor” Edwards, releasing a thematic companion piece, Hip Hop Cruises to Jamaica.

Try hearing the two compilations together with another recent anthology, Step Forward Youth, on the venerable reggae label VP, which unites tracks that inspired the scrappy mid-1970s alliance between British punks and Rastas. These three collections clinch the significance of one Caribbean island in altering the evolution of pop. They also function as a focus for debate:

Who gets to reap the rewards when creativity spreads and mutates? Do cultural leaps forward come down to individual Great Originators, or can they “belong” to the communities they have built, as well as to their place of origin? And, above all, who should—and does—get paid when an underground sound rages around the world? Read The Full Article Here.

Pop Star Gattison Releases New Single ‘Picture Perfect’, Lands #1 On Billboard

HOLLYWOOD, CA – On June 29th Pop Star Gattison, released of his newest single “California Magic”. The track is written by Shari Short (who has written for Ariana Grande, Joe Jonas, Demi Lovato, Miley Cyrus) and will be followed by an international video release in October that will feature VIP cameos.

Born and raised in the San Francisco Bay Area, Gattison began playing the piano and singing at the young-age of ten years old and composed his first song at the age of twelve. Since his youth he has been surrounded by musical talent and has grown tremendously from it. He grew up in a family where every member could either sing or play an instrument. His rich musical heritage includes his Aunt, Dorothy Morrison, who was the original singer of the 1960’s hit, “Oh Happy Day”, his uncle, Jerry Combs, who was signed to Warner Brothers Music, and his cousin Levi Seacer Jr, who played guitar for Prince. All of these were major musical influences for Gattison.

Gattison began his musical journey in a small gospel church where he developed a smooth, soulful sound very early in life. In his teenage years, he discovered Electronic Dance Music, and he immediately fell in love with the genre which sparked a journey of developing the right mix of his musical upbringing and his new-found love. Gattison went on to write, record, and even perform original music. Gattison’s concerts evolved to him performing to crowds of over 10,000 people and he even performed at the Centennial Celebration of the National Park and shared the stage with legends like Emmylou Harris (thirteen-time Grammy Award Winner) and John Prine (two time Grammy Award Winner). For more on Gattison including videos, photos, music, and booking visit https://www.Gattis0n.com.

Gattison recently partnered with the industry’s most prolific label, Amada Records.

Ed Sheeran’s Love Life, Marriage And Song He Wrote About An Ex

With feature stories in People MagazineUSA TodayUS Magazine and numerous other global publications, the million-dollar question that fans want answered is, did Ed Sheeran get married to fiancee Cherry Seaborn? While he has not given a definitive answer to the question, he hinted at it during his recent interview with Access Online by pointing to a ring on his finger when asked if he had picked a date for his wedding.

The notoriously private singer who had one of the biggest songs, Shape of You, in 2017, announced his engagement in January. The dancehall-infused, Grammy Award-winning song debuted at number one on the Billboard Hot 100, selling 240,000 downloads and 20 million streams in its debut week in the United States. It peaked at number one on the singles charts in 34 countries, and in September 2017, became the most streamed song on Spotify, with more than 1.32 billion streams.

To get an insight into his love life, we spoke with his cousin Jethro Sheeran (aka Alonestar). The two recorded three songs (Raise ‘Em UpReal Life & Outlaw) for the #1 Billboard reggae album Tropical House Cruises to Jamaica, a collaboration album that features Jr Gong Marley, Sean Paul, Vybz Kartel, Sizzla and Sean Kingston.

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Hip-Hop Needs A New Swizz Beatz Album—Now

Why does hip-hop need Swizz Beatz’s new album?

Several reasons, but the most urgent is that our narrative must change. Hip-hop remains the greatest voice and mirror for the disenfranchised. Living African-American is more insane than ever. In many ways, it’s disturbingly consistent. There is too much governmental subterfuge and black body hunting in the hood for hip-hop to be this high off of the irrelevant. This is why, on his latest opus, the man born Kaseem “Swizz Beatz” Dean chose to exclude the pop mammoths he often records with (BonoJay-Z), instead letting the People’s Champs smack awake a demographic doped up on fake news and social media mirages. He titled his opus Poison because his people have made a daily diet out of the unhealthy––the unreal.

Real would certainly not be an apt adjective to identify this year in black music. Summer 2018 hip-hop, especially, was egregiously self-absorbed. Drake remained in his feelings, Nicki Minaj couldn’t get out of her own way, and most of the new R&B acts can’t see past the mirror or person they’re facing. Similar to earlier this decade, when the south’s “lean” wave chanted through Atlanta’s music, many of the year’s releases hit nationwide speakers with forged pill prescriptions. We are currently living in the age of “Opioid Rap.” The problem is, other than Jay and Bey, the elders in general haven’t stepped in to change the channel and remind the young, scared and medicated that they are both heard and of value. Instead, Kanye West remained a bipolar moth to his own fame.

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Ariana Grande Treats Pete Davidson Split with Chanel Shopping Spree

Ariana Grande is doing what anyone might after a tough breakup — TREAT YO SELF … although, she’s doing it bigger and better than most of us could really afford to.

AG was spotted on a shopping spree Sunday in SoHo, NYC with a couple of massive Chanel bags in each arm and a big puffy coat to keep her comfy as she rocked the hell out of those matching boots. She was glaring at the camera — but her face seems to be forecasting one message … “That’s right, bitch. I’m doing me!” That’s our take, anyway. This is a much different vibe than we were getting from her now-ex, Pete Davidson, just a few days ago. He was looking mopey as hell post-split. And she, well, looks fabulous. 

Speaking of Pete … he’s said to have broken his silence on the split over the weekend during a comedy show in L.A., where he reportedly joked about needing a new roommate, covering up his Ariana-inspired tattoos and people hoping he doesn’t “kill himself.” Probably too soon to be joking about that in the wake of Mac Miller’s death, no? Don’t answer that … it’s a definite yes. 

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Kofi Daeshaun Just Dropped A Unique Track Entitled ‘Sweet Love’, Listen Now

Kofi Daeshaun was born in Ghana and currently lives in Woodbridge, VA after spending over a decade in Brooklyn, NY. His fifth studio album “Legacy” is available on all digital outlets. He also has over 40 music videos on YouTube. Sweet Love is a harmless, melody-driven song on the “Legacy” album. The song is quickly spreading and finding its way into the hearts of music lovers. The only thing left to do to is to hit the road and start touring American music arenas. He is ready to oblige whenever the opportunity presents itself.

Listen On Spotify Here: https://spoti.fi/2PB30Vz

To book Kofi Daeshaun for events:

Contact his manager, Joseph Teye-Kofi, via email at joekofi123@yahoo.com or call (970) 412-5140

Follow his movement on social media:

Snapchat: @Kofidaeshaun | Twitter: @Kofidaeshaun | Instagram: @Kofidaeshaun

Facebook: https://www.facebook.com/universekofidaeshaun/

Rae Sremmurd's Slim Jxmmi Not Leaving Group, Says 'Sremm 4 Life'

EXCLUSIVE

Rae Sremmurd is here to stay. That whole Slim Jxmmi episode hinting he was leaving the group? Chalk it up to just a squabble with his bro that is, apparently, water under the bridge now.

The Sremmurd-panic started when Slim went on a mini Twitter rant over the weekend … saying he was no longer living the “SremmLife.” He also strongly insinuated he was going solo when he tweeted he would “sink or swim by myself.”

But, now our sources say Slim’s not going anywhere and he’ll remain half of the duo with his bro, Swae Lee. It’s unclear what exactly triggered the rant, other than some sort of brotherly squabble. We’re told Slim and Swae are all good now. So good, in fact, Slim posted a throwback pic of the duo and captioned it, “Sremm 4 Life.” Brothers. Even the famous ones get on each other’s nerves.

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Pusha T's Show in Toronto Interrupted by Massive Stage Rush

Pusha T‘s show in Toronto was just interrupted by several people tossing drinks on the stage and then rushing it … sparking an all out brawl.  Push was performing at Danforth Music Hall Tuesday night when a flurry of beverages were tossed on stage followed by several men attempting to get up on stage. In a vid of the brawl, you see the rapper run for cover just before the angry crowd could get to him.

Pusha T’s security were quick to step in … and fists started to fly. 

A rep for the Toronto Police Department tells us they are currently investigating the altercation. We’re told three people were sent to the hospital with non life threatening injuries … and no arrests have been made. It’s likely no coincidence the incident went down in Toronto — Drake‘s home city — the two have a nasty history, trading diss tracks … including one where Pusha T revealed Drake had fathered a secret son. Once the crowd was back under control, Push returned to the stage to close out the show, surrounded by security guards. 

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There Is Nothing Stopping Christine Storm From Her Journey To Success

National recording artist Christine Storm has performed throughout the world, has been a prolific songwriter, and continues to tap into her wide range of life experiences for her music. Christine’s influences range from Alice Cooper to Blood, Sweat, and Tears, all the way across the spectrum to Kate Bush and Prince. Her sound has been described as an eclectic blend of Soul and Techno dance with melodies that are Pop driven. Many of her songs tell a story and confront real life feelings and attitudes, but with a humorous touch in many cases.

“I would describe myself as sarcastic and eclectic! I love the escapism of music and how it can change the mood of a person, but at the same time, be so damn fun,” states Christine.

No stranger to the stage, Christine has performed throughout North America, Europe, and the Mediterranean region. Regardless of the culture her audience represents, the passion and wit she brings to her show engages them with ease. An escape for many, Christine’s seasoned vocals and playful personality have the power to change the mood in a room within seconds.

In front and behind the camera, Christine actively holds the creative reigns, steering a wide range of feelings, characters, and storylines directly from her music to the screen. Whether her audience is listening in the car, watching a music video, or seeing her live show, what drives Christine’s creative process is her goal for everyone to move, have some fun, and even think a little. These take-away moments have fueled word-of-mouth buzz for Christine that lead to performances at various charity and private events where industry players such as breakthrough pioneer artist Malina Moye, and Rock & Roll icon Mike Love, have become fans.