The shoe company “SoulsFeng’s” goal is to introduce to the globe a graffiti art brand made from environmentally friendly materials. Ther founder's lifelong dream has been to interact with and listen to each customer while perfecting the technique of making superior shoes. With graffiti art and technology, their brand is unique. This provides the company an advantage because there are so many ideas that arise when incorporating technology into footwear. The shoe company has been branded an Amazon best-seller and has seen international success with their brand. When the company has a new design or idea, they construct a prototype and solicit feedback from their internal team before releasing a few examples to their connected influencers. Their successful philosophy is simple: Perfect products are not developed in a single day; they require a lot of hard effort and attention. In regard to prospective new shoe companies, their advice to them is to “not keep waiting for the ideal moment since it will never come, but to take action.” To partner with the shoe company or to order merchandise, you may contact the company at soulsfeng.com
‘Glass’ Review: M. Night’s Shyamalan’s Double Sequel Is Half Full, Half Empty
What a difference a couple decades makes. When M. Night Shyamalan dropped Unbreakable on an unsuspecting world back in 2000, the new Spielberg on the block was told that superhero movies were still a post-Burton/Batman novelty. As the man himself recently admitted, his what-if project about an everyman who discovers he may be a closet Superman was never to be referred to as a “comic-book movie” if he wanted to get it made. Just call it another psychological thriller. Or maybe sell it as a Bruce Willis star vehicle costarring Samuel L. Jackson. Just leave the capes out of this. It’s a niche market.
The irony, one of a dozen here, is that the director’s leap-of-faith follow-up to The Sixth Sense may have helped lay the foundation for the revolution (or devolution, your call) that hit modern multiplex culture. The original X-Men movie had arrived in theaters in July of that year and proved you could tell a straightforward, semi realistic superhero story, one that didn’t rely on bang-kapow camp or Goth-pop art. But Unbreakable — released in November, your prestige movie prime-time month — was the first to suggest you needed to take comic book narratives themselves seriously. The initial reception proved that Shyamalan’s reputation wasn’t bulletproof. Now ask any MCU fanatic or random Comic-Con attendee what they think of the movie. Geek love gets the last laugh.